Canon’s imagePROGRAF PRO-300 is a $900, 13-inch desktop photo printer with nine pigment inks. Introduced in mid-2020, not long after Epson’s announcement of the 13-inch SureColor P700 (and the 17-inch P900), the PRO-300 replaces the Pixma PRO-10 at the top of the Canon’s 13-inch photo printer lineup. It boasts a comparable feature set to Epson’s P700, including flexible paper handling, black-and-white and borderless printing, extensive connectivity options and more. After a few months of testing, I can say that it’s a solid printer with excellent print quality for its class. Like most photo printers at this level, there are a few rough edges in places, but overall it’s a good value, and quite competitive with Epson’s offerings.
Epson bills their SureColor P700 and P900 printers as models that can create “exhibition quality” photographic prints, and that is most certainly true: the quality of the prints that they can produce is second to none in the sub-$1500 market. Replacing two five-year-old models, the SureColor P600 and P800 respectively, the new printers have some important enhancements, including a new inkset that expands the printers’ gamut; enhanced blacks when printing on glossy and other photo papers; and the removal of the decades-old reliance of using a single black-ink channel to switch between photo and fine art media. The new printers are also small and light, which should make photographers with tight workspaces happy. All that said — and especially if this is your first printer of this type — be prepared to wrestle with it a bit as you get up to speed.
In my Stylus Photo R2880 review, one of the biggest questions I get is not about the quality of the printer, or even comparisons with HP and Canon printers in the same price range. No, it is: “How does it compare with Epson’s Stylus Pro 3800?”
This is understandable: while the R2880 is a very good printer, it does suffer from a few issues, notably the smaller ink tanks and the necessity to swap the matte and photo black ink cartridges when you want to move between matte and glossy papers. The 3800 also requires a switch, but the process is automatic and requires no user intervention. The 3800 does waste a few dollars of ink per switch, which is troublesome, but given the rarity with which people change paper type—and its high-capacity (80ml) cartridge size, this is a lesser issue for many pro users.
Right now, the Stylus Pro 3800 is under $1,200 at Amazon (a savings of $100 or so), while the R2880 is priced around $650 ($150 off the list price). If you’re looking at the two printers, how do you choose between the two? I think it’s pretty straightforward: what follows are some of my thoughts, based on fairly heavy usage of both printers (and nearly every other photo printer in the $300 to $5,000 price range).
At Photokina in Germany, HP today announced the Designjet Z3200 Photo Printer, a wide-format inkjet printer for professional photographers and designers, with a new ink formulation, speed and paper-handling improvements and other enhancements over previous models.
The Z3200 is the successor to HP’s the Designjet Z3100 Photo Printer, which, when it first shipped late in 2006, was one of the most innovative photo printers we had seen in a long time. The Z3100 utilized 12 pigment-based inks (including a gloss optimizer) to produce high-quality, gallery-ready prints, but it was the printer’s embedded spectrophotometer (from X-Rite) and seamless integration with networked Macs and PCs that set it apart from competitors like Epson and Canon. HP spent considerable effort streamlining the process of printing: everything from unboxing the device to profiling and adding new paper types had been thought through by HP’s hardware and software engineers. The result was a printer that created top-quality prints and was a joy to use, day in and day out.